Acrylic Innovation: Styles and Techniques Featuring 64 by Nancy Reyner PDF

By Nancy Reyner

ISBN-10: 1600618642

ISBN-13: 9781600618642

Acrylic is frequently used as an alternative for oil paint or watercolor, however the actual gold mine is in permitting the medium freedom to do what it does top. This ebook exhibits how today’s artists are doing precisely that. It’s loaded with unique art and helpful perception from sixty four artists, highly assorted in kinds and topics, each one utilizing acrylic in designated how one can create expressive and private paintings.

· sixty four artists provide their person principles, techniques and inspirations for operating with acrylic paints

· 29 types, starting from photorealism to minimum colour box and every little thing in among, are explored via artist profiles, paintings and boundary-breaking “challenges” that supply dynamic beginning issues on your personal art

· 29 step by step demonstrations illustrate acrylic-driven options you could take instantly on your paintings, together with college and assemblage, opposite portray, printmaking, unintended stenciling, operating with metal combinations and more

A follow-up to the best-selling Acrylic Revolution, Acrylic Innovation takes you outdoors your convenience region. Dip in everytime you think the urge to scan, rejoice and notice clean and fascinating effects.

Note: retail caliber EPUB, contains TOC.

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Extra info for Acrylic Innovation: Styles and Techniques Featuring 64 Visionary Artists

Example text

Mix it up a bit. Start with Still, brushwork is important. Thick, textural brights to block in, then go to filberts and maybe brushwork will come forward; thinner, quieter finish with a few soft sables. brushwork will recede. It is important to understand Also be aware that the direction of stroke can how the brush type influences brushwork. change the apparent value of the color. This is most ° A bright (square-cut) brush will give a chiseled look noticeable when values are close together, whether to the brushwork.

Too much repetition, though, becomes monotonous. HARMONY. Harmony is a bridge. Common attributes, similar colors, gradations and transitions enable repetition and contrast to live together. Evening Patterns at Nankoweap 20" × 20" (51cm × 51cm) Painting is opposites: light and dark, warm and cool, rational and emotional. indd 54 6/29/06 12:41:40 PM A COMPOSITIONAL DEVICE Catalina Rooftops I easily could have omitted the telephone pole and wires in this scene. Instead, I used them as a strong vertical and spatial divider.

Indd 35 6/27/06 9:50:21 AM SEEING VISUAL REL ATIONSHIPS There are two ways of seeing: subjective and objective. The artist must be able to distinguish them and use both at appropriate times. SUBJECTIVE SEEING We see what we know. Typically, we see as much with our minds as with our eyes, classifying what we see according to memories and editing, embellishing or exaggerating what we see in order to portray our personal response to the subject. This is subjective seeing. It involves emotions, preconceptions and prejudices.

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Acrylic Innovation: Styles and Techniques Featuring 64 Visionary Artists by Nancy Reyner


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